The Alonzo King LINES Ballet begins as abruptly as it ends. The stage curtain at the Newmark Theater in downtown Portland lifts and a company of ten dancers is thrust into movement by the opening jolting chords of Johann Sebastian Bach’s Concerto For Two Violins. The show seems to start in the middle of something, […]
Author: Kathleen Dolan
I studied writing and English at Purchase College in NY State and graduated from PSU with an English degree. I contribute content, edit, and brainstorm at THRU.
I Want to Be Like Carr
Sincere. Generous. Loyal. Hilarious. Empathetic. That was my friend David Carr. RIP. — Andrew Ross Sorkin (@andrewrsorkin) February 13, 2015 Andrew Ross Sorkin, a colleague of Carr’s at the New York Times, posted this tweet the day after David Carr, media columnist for the New York Times, died in the newsroom. A few days later, Bruce […]
A Home For the Night
There is one scene in Saturday night’s Maybe it’s Because…(I’m So Versatile) workshop performance that made me remember something I hadn’t recalled in a while. It’s not one specific, singular memory, because the occurrence happened often, so I didn’t revisit a distinct moment, but the details came to me distinctly. In the show’s scene, a homeless girl […]
at a crossing, past and present collide in Nancy Moss’s Deception. The opening scene of Nancy Moss’s new play, Deception, introduces us to Anne Winter just as she is receiving a surprise visit at the bonnet shop she owns in Portland, OR. Hailing from an unknown place back east, Ms. Winter, portrayed by Damaris Webb, […]
Before the dancers came onto the floor at Polaris Dance Theater, this Saturday night for the Groovin Greenhouse performance, as part of Fertile Ground Festival, the floor shone an aquamarine blue in the dark theater, like an illusory pool under spotlight. From a corner speaker, M’Liss Quinnly’s voice broke the soft blue silence of the floor and hushed […]